g. Before we had a fully ProRes workflow. MFX as mentioned above is a container that can hold intraframe or interframe codec. Then we have the brand spanking new ProRes 4444 XQ, which has all of the above with this gem: Target data rate of approximately 500 Mbps for 4:4:4. 7. Often, you can begin editing immediately after recording. ago. Just as you pick different vehicles for different tasks, so, also, you pick codecs because they are best suited for that portion of a project. profile <integer>: You can use this option to choose the ProRes profile to encode. The GoPro CineForm codec can encode pixels in YUV 4:2:2 at 10 bits per channel, or RGBA 4:4:4:4 at 12 bits per channel. That will speed things up a little. You won't want less than ProRes 422 HQ for final results anyway. For this reason, many post-production facilites have abandoned ProRes and implemented a full DNxHR workflow. 0. Premiere’s default installation also includes other common workflow. Posted by Lukas Dreser on October 6, 2014 at 4:14 pm. So. However, ProRes is optimized for editing and requires the least load on your system during the edit of other potential codecs. If your computer has the hardware to decode H. Find out which file formats can be exported from Adobe Media Encoder, including formats for video, animation, and audio. There is no way to change import settings, but i'm definitely sure, that these files have more bit depth (checked using Nuke, ffprobe, PotPlayer). To create proxy. Davinci Resolve decode: Native, YUV 10-bit, RGB 16-bit. It has been also discussed countless times, yet every few days there is the same question. It still should be faster to decode than DNxHR as it's very well designed/optimised codec. The Adobe Media Encoder program will automatically open. The -profile switch takes an integer from -1 to 5 to match the ProRes profiles: -1: auto (default)Valid containers (mp4, mov, avi, mkv, web) for codecs in ffmpeg. GoPro Cineform, the cross-platform codec now in Creative Cloud, also produces high quality results. Native IMF, IMP, Apple ProRes formats, HT‑J2K, Kakadu jpeg2000 formats (including Dolby P3D65) Apple ProRes formats, Kakadu jpeg2000 formats, Studio for >=4k/Dolby P3D65/HT‑J2K. 1. However, in situations where you shoot in resolutions above HD, as a rule-of-thumb, it is always better to choose ProRes or. 264). Neil. Mezzanine files formats (also known as Intermediate File Formats) are higher quality files that can behave like original camera formats or what’s. Codecs refer to the way that audio, video, or other data is encoded, whereas containers refer to the file that contained encoded audio and video. ) So I think I need to edit it with cineform, DNxHD, or HuffYUV CODEC, but I have a few more questions. How big is a 2 hour long 720p video? A two-hour ProRes 422 720p video file will be 55. As opposed to say the long-GOP (group of pictures) format H. To download the GH4 ProRes LT files at 4K resolution click here. Advantages of Apple Prores format as an editing codec. "C:Program Files (x86)CineformToolsDPX2CF. mov ProRes 4444 XQ 10bit. But it isn’t as widely supported as ProRes and DNx. Obviously, posting this on a Cineform forum is perhaps going to yield subjective responses, but I'm trying to get to the bottom of how the codecs compare. 5 slower than realtime. The Cineform proxies are actually smaller than the 4K - UHD footage. Just to then reencode to H264 lossless, which then gives a tiny fraction of the size of Cineform for low motion content such as screencasts and tutorials. Alpha Channel support. Results can be emailed or copied to the clipboard. ProRes and other high-quality video codecs like Avid’s DNxHD aren’t much good for sharing–the files are way too big for sharing on the web. Pro Filmmaker Apps is a curated database that can help you get a job done a little better or a little faster. While CineForm may have an edge in terms of color depth and image fidelity, ProRes is widely adopted in industries like broadcasting, film production, and professional video editing due to its ease of use and compatibility. That said, ProRes (or DNx/Cineform) is superior to MPEG ALL-I for raw editing performance. I want to preserve as much quality as possible because the videos will be edited into into 1080p non-VR video in premiere pro. Adobe After Effects interprets them as 8bit and shows Millions of colors instead of Trillions and unwanted banding appears. Yes, ProRes 422 is vastly better than any H. Follow; Report; More. Explanation: Intra-frame vs Inter-frame Compression Intraframe formats are equally great, though some have their preferences for formats, quality choices, and frame sizes. Below are screenshots of Avid DNxHD 175x 10-bit produced by Adobe Media Encoder for a more fair comparison. . I have updated to Adobe Premiere Pro 2022 and the surface has changed. BTW: Check the size of the main folder and proxy. I used Cineform codec for years. And we’re talking intermediate codecs, here, we’re not covering camera codecs. Before Prores existed. 265, where there are only complete or " i-frames " every 9-30 (or even more) frames of media. Its incredibly CPU intensive for a CPU to decode in a video editor. The one odd thing about this implementation is that there are no controls to set bitrate. As a result, ProRes 422 offers even better real-time editing performance. 4375 MB. I have to disagree with Philip on this one – hard drives are cheap – I’d go with ProRES HQ. 175 was chosen because it is similar to ProRes HQ’s bitrate of ~180Mbps. 265 to ProRes Converter and run it. MPEG-1, MPEG-2. We’re making this change to improve playback and export times when working with rendered preview files. We’re making this change to improve playback and export times when working with rendered preview files. Then we have the brand spanking new ProRes 4444 XQ, which has all of the above with this gem: Target data rate of approximately 500 Mbps for 4:4:4 sources at 1920x1080 and 29. 37GB, 864Mb/s, 5760x2880. Examples are ProRes, Cineform, and DNxHR. . The CineForm codec has been in development for 16 years, overseeing many innovations in the video production market: it ushered transition from standard definition to HD, and it was. The most common now are 1920 x 1080 (1080p, or “Full HD”) or 3840 x 2160 (2160p, or “UHD” or “4K”). 265 didn't exist. Provides real-time editing performance comparable to or better than that of any other HD codecs in Final Cut Pro. Reply. Since ProRes is in the title of the post, and some discussion about wanting DNG 3:1 I thought I could include my blind test link in this thread. ” All variations of ProRes have a video bit-depth of 10 bits or greater. 264 does not. video comes more down to signal chain and how you process your files. Upvote Translate. DNxHR and ProRes are comparable in quality at the same bitrate. Community guidelines. Personally don't re-use my previews for export and don't really need the "best of the best" quality when generating previews, so I tend to just use resolution-matching ProRes 422 Proxy as my preview format in most cases. Report. I. 6. Originally Posted by Cornucopia. Render any clips that do not playback well or if they have effects applied to them. 264 didn't have 10-bit implementations and H. 6K Equilateral Cineform Film Scan 1 - 46. Unlike ProRes, CineForm is a. The ELI5 explanation is that a codec is like a way of storing clothes (like rolled up, wadded up, "properly" folded, on a hanger. 26 GB. While there are some exceptions of apps and devices that can play ProRes. ProRes. Aug 19, 2022. KineRAW-MINI can save data in CinemaDNG format, while KineRAW-S35 can save data in CinemaDNG and Cineform RAW (one time/both). This means that they can play back and edit with ProRes just fine, but they are unable to export the results of those edits. Speed wise- ProRes realtime, Cineform+GV HQX 2x faster than realtime, DNxHR HQX 1. Cineform can be decoded at fractional resolutions so this is why it's easy. 264 and ProRes, CineForm stands out for its ability to retain more detail and color information. 264 for possible quality though much bigger in file size. Notionページ：ProRes vs DNxHR vs GoPro CineForm vs Grass Valley 比較. Thanks for the link, very intresting, I was leaning towards Cineform, I will do some tests. Then, when you’re done, you relink the. If your video was shot at this size, then you want to upload it in that. 6. An important difference, however, is that some of the major editing and finishing systems available lacks support for ProRes encoding for Windows. DNxHR 444 and ProRes 4444 XQ are the only codecs that fully preserve the details needed in HDR- (high-dynamic-range) imagery. Report. This is a beauty of Cineform. GoPro Cineform is a high-quality codec, similar to ProRes and DNxHD, in that it is optimized for high quality and efficient editing. CineForm. [1] Much like the H. The most common video codec used for compression is H. MPEG. CineForm. The selected format determines the preset options that are available. There are a plethora of free GUIs for ffmpeg for those unfamiliar with the command line. Calculate the disk space taken up by over 75 codecs including ProRes, Animation, ARRIRAW, DNxHD, XDCAM and DPX. If you choose Cancel, you can resume scanning the library and convert the incompatible files at any time in macOS Mojave: In Final Cut Pro, choose File > Check Media for Compatibility. 360 - File Size 3. GoPro CineForm avi RGB 16‑bit Yes Native, YUV 10‑bit, RGB 16‑bit YUV 10 ‑bit mov – Yes Native, YUV 10‑bit, RGB 16‑bit YUV 10‑bit, RGB 16‑bit. Reply. Report. 12bit Cineform 5 (avg: 67. It definitely looks like an issue with the luma values being too high but for me the problem isn’t apparent with the DNxHD . Avid's DNxHD/R is a great codec, as is ProRes, they have "flavors" that are very close to each other. ProRes supports 10-bit color and retains more of the color than H. Which video format is used for video compression? Ans. Add a comment | 2 Answers Sorted by: Reset to default 1 In Media Encoder you first need to select your destination format as Quicktime. Reply. 264 in the timeline and on export. Smart Rendering is a "workflow" to export files 20 times faster by using your preview files to assist the export. In a proxy workflow, you convert your original camera media to a more edit-friendly codec while you’re working in your NLE. Experiment as to bitrate / quality. 2K to see the difference between them. īecause companies publish their own specifications in different formats, it can be difficult to compare codecs directly. I would recommend using Cineform proxies. Notionページ：ProRes vs DNxHR vs GoPro CineForm vs Grass Valley 比較. Codecs of 2011 - Prores Vs Cineform Vs DNxHD Here we are in 2011 and I'm going to resurrect this bag of worms if I may. Drag the H. For Preset, select Apple ProRes 422, normally called just ProRes, or Go Pro CineForm YUV 10 bit. This version of the codec has 70% of the data rate of ProRes 422 and 30% smaller file sizes. 1 megabytes = 1024 kilobytes; 1 kilobyte = 1024 bytes; 1 byte = 8 bits; So 70778880 bits = 70778880/ (8 x 1024 x 1024) MB = 8. Cineform is also a high-quality intraframe codec like ProRes and DNxHD/R. The only issue is the very large file size, but if storage is not a problem, you could hardly do better than Cineform. On the other hand, ProRes offers excellent post-production flexibility. DaVinci Resolve is very capable even for free, but you need the right hardware! Studio 18. Translate. 0 in 360 mode. . The biggest advantage of DNxHD over Cineform is that DNxHD compatibility is much greater. Full list of. mov. One key advantage of filming in UHD (4K) over HD (1080p) is its superior viewing experience when displayed on HD 1080p viewing devices. Mezzanine files formats (also known as Intermediate File Formats) are higher quality files that can behave like original camera formats or what’s. Indeed they are very proud with this new (and dramatic) technology. If you ever wondered what the number in each DNxHD preset means, it’s the bitrate in megabits per second. ProRes is not a singular thing, though. It must decode every frame fully. AVC. 10bit Cineform 5 (avg: 62. So ProRes, DNx and Cineform qualify. Documentation & downloads. Click OK. If it’s rendered to the default I-frame Only MPEG-2 codec, you’ll get a bad preview compared to ProRes, DNxHR or CineForm codecs, which provide better-quality previews. The previous default was I-Frame Only MPEG. This was posted a while ago and I still think there's something seriously wrong with the DNxHD clips. Studio for >=4k mj2 – – yes Kakadu. TIFF. The GoPro CineForm codec can encode pixels in YUV 4:2:2 at 10 bits per channel, or RGBA 4:4:4:4 at 12 bits per channel. Formats like Apple ProRes, GoPro Cineform, XDCAM, and Avid Dnx are commonly used as “working” codecs in Premiere Pro because they are enhanced to use CPU or GPU and are included with the standard install. exe" c:framesourcesource*. Thanks to its high quality, efficient compression, and overall versatility in terms of support for various file types, resolutions, and even RAW, I can see CineForm becoming a mainstay in many post production. Use Hybrid to convert the MKV to Prores (minimum of Prores 422 format, 4444 is better) or Cineform (Film Scan 2). Yes, ProRes 422 is vastly better than any H. Set the Codec to Apple ProRes and select one of the available options (e. These codecs are designed to retain the image quality and details from your source footage but optimized for better playback. ProRes is only standard because of apple ecosystem. 264. Various containers have different compatibility with various codecs. 6kの画質が必要な場合はいちいち変換するという作業も発生してしまいます。もともとappleの問題でProRes vs cine-fromという図式もどうかと思う所もあるんですが、 adobeを使えば？1 Correct answer. The only issue is the very large file size, but if storage is not a problem, you could hardly do better than Cineform. Movavi Video Converter. Given the additional requirements for 5K (limited to Cineform or Prores, more demanding hardware), you may want to consider using 4K instead. It is truly raw and nothing is baked in. In a spot check, ProRes 4444 XQ files were a bit bigger than Cineform 4444 render at quality level 4 (Film Scan 1) and a bit smaller than renders at quality level 5 (Film Scan. There are a few different software solutions I use as well and will be touching on each when I do the post-production section. 6kの画質が必要な場合はいちいち変換するという作業も発生してしまいます。もともとappleの問題でProRes vs cine-fromという図式もどうかと思う所もあるんですが、 adobeを使えば？It is always best to render out to a higher resolution codec first, this could be a Quicktime Animation, PNG, ProRes or Avid DNxHD, Cineform for example. Ps. Long answer: Hardware manufacturers (cams,. Cineform, DNxHD/HR, and ProRes are all cross platform, visually lossless, high quality, professional "mezzanine" (some editors refer to them as "intermediate") codecs. DaVinci Resolve is very capable even for free, but you need the right hardware! Studio 18. CineForm is compressed raw, much like REDCODE on the RED Epic. roger. 264/H. There is no way to change import settings, but i'm definitely sure, that these. The best and worse uses for CineformThe Cineform codec is a robust and stunning codec for many things, but proxies aren't one of them. 1) 6. Is h265 worth the hassle of so much harder decoding? Maybe in case of a recording format yes (as then storage is precious), but later there is about no point using it as intermediate codec. I've recently been requested to output my work using Prores 422 for a large film event. e. But all this not visible for human eye. ProRes is a compressed format, but one that aims to be “visually lossless”. Where a GPU might only need 10W to decode 4k Cineform, 4k ProRes might draw 25-50W on the CPU (numbers only used for illustration purposes). Main idea is to choose an intraframe delivery codec, not interframe (atleast for master files). But you can also export DNxHR RGB 4:4:4 or GoPro. • 5 yr. agent42b • 7 yr. Prores would be ideal in this case. Otherwise you can upload ProRes, Cineform, high bitrate h264/5 etc and you will get visually the same quality as youtube adds a lot of compression on top of every uploaded source. mov ProRes 4444 10bit. Exporting out of one generation (camera originals) of H. Everything in the folder is reencoded from 4k h. I think. Just after the Hollywood Professional Association (HPA) has decided. I wanted to do an informal test between Avid DNxHD, Apple ProRes HQ, and GoPro Cineform to see how they stacked up through 5 rounds of recompression. IMO it is a great master codec for Windows/PPro machines- fast, easy to digest, lossless. Container vs. Developed by. It's ~175M at HQ, and ~80M in LT. Apple ProRes is a high quality, "visually lossless" lossy video compression format developed by Apple Inc. On a PC, the Cineform 10-bit YUV or DNXHD/R options are both quite high in quality. ビットレート比較. Report. Intermediate vs Long-GOP in a nutshell. ProRes is Apple Products, DNx is Avid, Premiere can use any of the three comfortably (it can only read ProRes on Windows) though I think they've started to put their money on Cineform being their default. If you like using VirtualDub for your video processing and playback tasks, then you are bound to like VirtualDub2 even more. I did a comparison between 4K and 5. 3: In Adobe Media Encoder add the folder all the footage resides in as a watch folder. Report. I personally recommend Cineform Film Scan 2 (same perceived quality as Prores 4444 at much smaller file size). I could not notice any discernable difference between scrubbing performance, or the time it took to transcode. ProRes 4444 (avg: 67. For lossless source videos, the Apple ProRes is a good choice. you can found on cineform documentation. 테스트 PC : i7-5820K @ 4. 2GB - 786,334 kbps. on some cases it is a good D. Maintains superb quality even after multiple encoding/decoding generations. will do the trick. Cumi. Function: h. To illustrate the differences, I took my original test video into Adobe Photoshop, added the compressed video to the layer above, set the compressed video layer’s blend mode to. 화질 테스트. Cineform is also a high-quality intraframe codec like ProRes and DNxHD/R. If you're downloading a two-hour movie in 720p format, its size may be anywhere between 1. Long GOP is definitely hardest on the system because it's got the most compression, and ALL I will be a little better, but honestly I have an awful time dealing with 4K 10 bit files from the GH5 straight out of camera no matter if they're. I bought the Canon R5 a few months ago and have been really enjoying using the camera, but of course I've been working on my proxy workflow because…Adobe 2019 - ProRes vs Cineform vs DNxHR - 3부. CineForm seems to use 0…1023. Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. This includes DNxHD / DNxHR (created by Avid) and H. The frame size. 4. 5. In this video I show and discuss the differences between. In some instances Premiere will. Last, but not least, is a sample of GoPro's Cineform codec processed through Adobe Media Encoder. But of course I cant make new prores files in windows. 264 video codec and AAC audio codec. 264. Cineform partial resolution decoding works in Premiere, Resolve, Assimilate Scratch and possibly Vegas (at least I know about those). I go into even more detail of why Cineform is preferred later on in this guide. These were encoded by Adobe Media Encoder to the MOV container using Avid’s official Quicktime codec. 264 instead (at the same data rate). With the future more firmly in mind, ProRes was created (in 2007) as a transcoding codec which balanced post-production needs and image quality, and it later grew into an acquisition and delivery codec. But you'd really need to do an A/B comparison to notice. MP4 format for the best high quality video uploads, so that should be your first choice. You can edit Apple ProRes files in the Photos app or iMovie on iPhone, iPad, and Mac, Final Cut Pro for iPad and Mac, or in third-party editing apps that support ProRes. 264 and HEVC have poorer quality than ProRes, for example. Going directly to the creator of the files provides a much, much better chance of getting files that are good for editing. We know that the latter two are wavelet codecs, and we know now that they're edit-friendly, and we know Cineform is an absolutely fantastic intermediate codec. A valid assumption. 97 fps. 6Mb/s,. 264 is a very compressed and algorithm heavy encoding. H. Another Windows alternative to DNx and ProRes is Cineform, which comes in both 10-bit and 16-bit variants. HEVC itself has a distinct distadvantage against ProRes (and even AVC) when it comes to retaining high-frequency noise and detail, for example film grain, so even at 'equivalent' bitrates it might go either way depending on what you're shooting. . The bigger the footage (1080p, 120fps) the harder it is for your computer to decode and display. " Well, DNxHD is also on the chopping. Best is not to choose H. 5 slower than realtime. 9 GB - 66,398 kbps overall (2 hevc video streams of 29,968 kb/s) 5. On a PC, the Cineform 10-bit YUV or DNXHD/R options are both quite high in quality. Different codecs are optimized for different purposes. ProRes data rates look a lot line Cineform and RedCODE data rates. There was also a 12 bit Bayer raw Cineform conversion offered in the original software. ReelSteady is incorporated into the free GoPro player, but there is a $100 one-time in-app purchase to unlock its various features. Community guidelines. When delivering 4K, there was a slightly noticeable difference in HQ vs regular. Don’t get it confused with other compressed codecs like ProRes or H. I’ve seen DNxHD/HR be slightly more performant than ProRes, but ProRes is far more user friendly. 3 Mbps when set to 5 (Film Scan 2). you may need better quality. Apple ProRes formats, Kakadu jpeg2000 formats (including Dolby P3D65) Apple ProRes formats, Kakadu jpeg2000 formats. Enter the. As some said below it sound like you're on Windows, ProRes is an apple codec - but you will be fine with a H264 - this is perfectly acceptable for Youtube, but you. More details are in the MPEG vs. Re: cineform raw vs prores « Reply #1 on: June 10, 2013, 04:59:16 AM » Cineform made patterns in my footage when converted directly, going from for instance AE to cineform is fine tho. Quote:ProRes 422HQ 10-bit is "Visually Lossless" but same time 1. 264 is interframe, meaning it stores the data. Keywords: video formats, gopro cineform vs prores, cineform vs prores, dit report, prores vs cineformThe ARRI Reference Tool allows you to render ALEXA 35 footage using our new ARRI Debayer Algorithm ADA-7 and REVEAL Color Science, but it is also backwards compatible with all ALEXA/AMIRA cameras. . Originally Posted by Cornucopia. ProRes, DNx and Cineform are all optimized for editing. 8-1. Common codecs include the H. NOTE: It is important to note that, by default, choosing Apple ProRes 422 Proxy creates a proxy file at the same resolution as the camera master file. CineForm Intermediate is a proprietary video codec developed for CineForm Inc by David Taylor, David Newman and Brian Schunck. With that said, I am. This tool is intended to give an indication of the amount of space a given video format will take up on disk. This codec features a remarkably low data rate compared to uncompressed 4:4:4 HD. easyDCP (3) RGB and YUV422. This tutorial will gui. Translate. 264 media. 视频去哪了呢？. 264 format. Meaning that all frames are complete data-sets for that frame. 264 in the timeline and on export. In most cases, ProRes is a better choice than MPEG for. You just need the codec pack for windows. 264. 此格式是基于DCT标量的 帧内编码器，其中每一帧都独立存储，可在不依赖于其他帧的情况下进行解码。 因此比诸如H. Fri Dec 09, 2016 10:30 pm. Cineform was sort of a stop gap for Premiere before wide adoption of DNx and Pro Res. 264等面向分发的格式解码更简单。. 264, h. 4 Mbps when set to 1 (Low) for 1920x1080 25 fps and 124. Try using -g 1 rather than -intra and confirm whether it is any quicker to commence playback and step-through (color stuff dropped for clarity) $ ffmpeg -i myfile. for use in post-production that supports video resolution up to 8K. 6. If you are doing extreme colour grading, fine matte work, etc. 8. 264 is widely used for online streaming due to its high compression efficiency, it sacrifices some image quality. Yes, ProRes 422 is vastly better than any H. At full quality it's not that much easier than ProRes or DNxHR. There’s more tech involved. Exporting out of one generation (camera originals) of H. My test shown that there are some issue. On March 30, 2011, the company was acquired by GoPro which in particular wanted to use the 3D film capabilities of the CineForm 444 Codec for its 3D HERO System. I used Cineform codec for years. magnusson wrote: It's under the QuickTime render settings. Exporting out of one generation (camera originals) of H. 嘿，这里是 源源捣。 最近我为大家分享了利用DNxHR、Prores、CineForm这类中间编码文件代理剪辑视频的方法，不过前不久在我为大家分享如何用PR制作三连小动画时，片尾提及了动画编码格式。因此本文会为大家更加详细的介绍一下动画编码格式以及它与其他三个编码器的适用场景。The quality difference between using something lossless and a purpose-built intermediate codec like ProRes, DNxHR, or Cineform is going to be negligible after you compress to h. Now the difference between a proxy and an intermediate. As such ProRes is available in the following modes, from lowest quality to highest: ProRes 422 Proxy; ProRes 422 LT; ProRes 422; ProRes 422 HQ; ProRes 4444; ProRes 4444 XQ; 4444 and 4444 XQ are super high-end versions of the codec meant for situations where 4:4:4 chroma subsampling and/or an alpha channel (transparency) are required. 6. Long answer: Hardware manufacturers (cams, dvrs, atomos, gopro, etc) still encode their captures with these codecs, and we need them for compatibility of workflow projects. Re: Cineform or DNxHD intermediates for editing in Resolve 1. Codec MP4. 3. I don't care about file size so which codec is best for me. It's quite easy to „prove“ though. MXF should work as that is also SONY. 264 for possible quality though much bigger in file size. On March 30, 2011, the company was acquired by GoPro which in particular wanted to use the 3D film capabilities of the CineForm 444 Codec for its 3D HERO System. 5. Here's the details: Add your composition to the render queue (NOT Media Encoder). I think cineform is more used as it's readily encodable by Adobe now on both PC and Mac whereas Prores is still Apple only. Codec facts: DNxHR 444, ProRes 4444 and ProRes 4444 QC are the only codecs with embedded alpha channels. Codecs of 2011 - Prores Vs Cineform Vs DNxHD Discussion in 'CineForm Software Showcase' started by Kris Koster, Feb 4, 2011. 264 GH4 footage to 1080p 10 bit CineForm, since my PC isn't quite beefy enough for online 4k editing. Apple ProRes 422 is a high-resolution compression format from Apple. – stib. easyDCP(3) RGB & YUV422 JPEG2000 video mov, mxf Op1A, mxf Op‑Atom – for IMFs Yes Native, Kakadu RGB, YUV422 and YUV444 (8 ‑bit, 10 bit, 12 bit. 265, but I'm on Nikon, not Panasonic. If your source media has one, you'll need a proxy/optimized format that has one, eg DNxHD 444 or ProRes 4444. MFX as mentioned above is a container that can hold intraframe or interframe codec. HandBrake can open a number of production formats produced by professional video cameras and NLEs, including MXF, MPEG-TS, and QuickTime, along with common video codecs such as CineForm, DNxHD, DNxHR, ProRes, XAVC, and XDCAM. Of course, Apple would argue that it has its own ecosystem of ProRes to work in, as detailed in our handy "street names" chart. H264 file and, it now looks like crap and looks slightly compressed, slightly, but enough to notice and not understand why it always looks like crap after exporting from FCPX. You can pick other formats than ProRes. The compression quality is controlled by the Quality slider in the Export. In that case, pick Apple ProRes 4444 with Alpha, or maybe go for Pro CineForm 12 bit with Alpha. If, for some reason, you can't use or don't want to use . 2, MacOS 12. Render your Timeline as you go, or at least before exporting. Set the CQ value to 1 to create a visually lossless file. Now we can answer the question of how to calculate video file size, and here is the video file size formula,Hello, Everyone. .